I've decided to leave the story of torneo incomplete.
Last night, solares participants finished the session looking absolutely spent. They were physically drained from the struggle of maintaining a single pivot point for extended periods, and for providing the constant drive for turning. The sustained concentration on kinesthetic input was intense, made more challenging for the dizziness that the advanced choreographic element can create.
They were valiant in their resolution; they understood its value as a move in itself and for the skills it develops. But at the end of the workshop, I looked into their eyes and asked myself "did they have enough in the tank to take another four of these in a row?" They probably did. But was it worth the learning harm?
I beat down my inner completionist with a big stick.
Since the beginning of the year, solares' learning themes have been to do with the Caribbean capsule vocabulary, and the torneo as a 'stretch' element. I've been wary that that emphasis was disrupting the equilibrium of development; favouring move vocabulary over quality of movement, and decoupling movement from rhythm.
It's time to restore that equilibrium, perhaps to dedicate a good portion of the year's remainder to articulating a capsule vocabulary of Caribbean rhythm. I, too, am looking forward to learning more about the preferences, the dispositions of the regulars whom attend solares.
Loo
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