It's Monday. The salsa weekend is hours passed and I'm in my hotel room packing for the return trip to Sheffield. With a belly-full of breakfast, there's no better time than now to get a first-impression assessment of the workshop sessions.
My introductory glimpse into Reading's salsa scene began with dinner at Sharon and Ed's on Friday night. It was the ideal way to make our personal acquaintances, talking about how Red Hat Salsa came to be; the regional salsa scene; and for me to understand why they left the beaten track in engaging me to run these far-from-typical sessions. Sharon's genuine appetite for knowledge is vividly striking; something reinforced, unsolicited, over the next days by teachers who've had occasion to work with her.
For dessert, we hopped into the car for a trip to Bracknell.
It was their monthly shindig at the Hilton Hotel where I was at various times during the evening an irrepressible beginner in Sharon's lesson; tripping the fancy stuff with the local salseros; trading wit with the two other teachers that evening, Penny and Chunky; taking in the happenings on the floor; and listening to the kinds of tracks coming over the PA. It was a precious chance to assess the Latin dance scene, at ground level, ahead of time.
Saturday dawned beautifully, but its promise was marred by a tardy taxi which landed me thirty minutes behind and starting on the back foot. The wintry community room was filled with two dozen dancers; half of whom were instructors, some having flatteringly travelled from near three hours away. It was never going to be easy - the extensive content and the compressed time-frame of delivery made sure of that. But having to make up more than thirty minutes, AND re-pitch the specification from a secondary to a primary target audience of teachers on-the-fly without losing the non-teachers... okay, this was going to be a robust test of preparation and experience.
The detailed nature of the workshop specifications were the biggest safety net there could ever have been. I kept to the schedules as much as I could because of the coherence already built into them, omitting or skimming over the less significant; and in so doing increased their value as post-session reference documents. Sadly a portion of the time allotted to the practical exercises, the most valuable aspect of any workshop, was sacrificed in lieu of content coverage. The day had a feel more akin to a seminar than a workshop and I've braced myself mentally for that as feedback. To avoid the delivery becoming dry, I made use of plenty of musical examples, including an impromptu rendition of 'El Carretero' as a son element.
The Saving Grace came in the latter part of the day as dancers and teachers warmed up to exchange their experiences in free-flowing discussion. That, arguably, is THE greatest benefit of any well-facilitated session. It told me that despite the less-than-ideal combination of factors, a true workshop-style learning environment had been established. I adjusted the content and presentation at every moment of the day, taking on the feedback articulated or expressed through body language, and making sure to solicit the opinions of the silent during the breaks. The vast majority was positive and helpfully constructive.
Nine-hours of high-intensity delivery left me depleted, and I dropped off my things at the hotel with relief before venturing out to the Oracle, Reading's rather snazzy shopping district, in search of food.
I'd spotted a 'Yo Sushi' bar on the way through, and decided to salve my spirit with some Japanese food. I never eat alone at these places because the hypnotic conveyor-belt of morsels seems to open the gateway to conversation. With Dave the visiting American, we chatted about a Brazillian restaurant we both frequented in Singapore; with the Nepalese sushi chef it was knives, especially the 'kukri' - the knife of the Gurkhas; and the English and Nepalese waiting staff, about the dishes they favoured at the establishment.
Retreating sated to the stillness of my room, I began rallying for the challenges of the Sunday ahead.
(On to Part 2)
Loo Yeo
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