My bass is right now with Stuart at Electromusic in Doncaster, being restrung and having its setup checked.
I've decided to wimp out and change to lighter-gauge strings since Ana's become the regular bassist in the band. It's taken me a while to overcome denial - that I'm no longer as sharp nor as strong as when I used to be, and this step is my final admission.
The change in tension and the settling of the neck (the bass, not mine, silly!) warranted a full check-up, and I expect to have eliminated the spectre of fret-buzz when I get it back. You might think that going for the higher-gauge strings in the first place was masochistic, but in my defence, I didn't really know what I wanted then - being new to playing bass and all.
As you may have guessed, all this is in aid of the recording.
I'd been fortunate enough to acquire the rather fabulous Mark Bass TA501 head and Mark Bass 104HR cabinet, and this has prompted both Dan and myself to decide to re-record ALL the basslines to all of the songs. Mark Bass has made THAT much of a difference.
I'm finding it a daunting prospect, especially since I'm not playing regularly any more - maybe I'll feel better about it once I've got a few songs recorded under my belt. But at least I can start practicing the bass again now that Bembé's progressed to the practice stage, and since Ana's going home to casi-Gijón for a month. It means that I can lay down the tumbaos while Nathan's on lead vocals - playing in the band context will be a great help in knocking the rust spots off.
Hopefully Stuart can have it ready before this Wednesday's practice.
Meanwhile, back at the ranch...
Jeremy and I are laying down more guide tracks for El Tambor, El Gallo, Getting It Together, (and maybe more) this Saturday. Then I'm putting down the conga tracks before the bass. At least I'm keeping in touch with the congas - Whib can only make it once a week, so I get to fill in on the other day.
I guess this is my meandering way of expressing regret, of how tough I'm finding it to keep on top of several instruments when I'm not full-time in music.
But rest assured that you would not be able to tell that from our recordings when the album is finally available. We owe it to ourselves not to let that happen.
Yeo Loo Yen
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