Yesterday, Cuatro de Diciembre (4de12) played at Millhouses Park Festival. It's an annual free event put on by University of Sheffield Management School students as part of their events management project. We were the only salsa band to play there.
On the run-up to it, I was harried by a small gremlin of dread. The few days preceeding it had been somewhat damp, and rain had been forecast.
Not so when the 3rd of June dawned. It was bright, sunny, not exceptionally warm, and Dan had done his utmost co-ordinating the logistics efforts and liaising with the sound engineer over the phone beforehand.
Dan's a gem.
We arrived well before time and set up on a make-shift stage comprising sheets of fibreboard nailed onto a platform of wooden pallets, under an open-fronted pavillion. I'd never been to Millhouses park before; long and thin in shape, it's bounded by a dual-carriageway on one side, and a stream on the other, with a rail-track beyond the latter. Plenty of greenery in between with grassy banks, tennis and basketball courts, a cafe, a miniature boating pool, and what appears to be numbered gopher-holes for you to putt your golf balls into over the uneven turf.
Setup was quick and painless. I don't know what it is about people, but we got a little 'attitude' from the other bands. Maybe it was because we were headlining. Suffice to say that the sniping stopped after we finished our soundcheck number. The proof of the pudding is always in the eating.
We exited the stage for the others to set up, and everything kicked off. Then we waited, watching the preceding acts with coffee (mine's a caramel latte) and junk food accompaniment. We played two sets of five songs, each set supposedly lasting 30 mins. Because we came up just short the first time 'round, we decided to extend the solos during the second. 4de12 like to give their patrons more than their money's worth... even when they're not paying!
The audience was great. They were non-dancers, but that didn't matter - they were attentive and appreciative, and I'd take that anytime over an indifferent dancing audience. I tell a lie; a long-time friend, Ann, was there with her family, and we managed to grab a brief salsa together in 'Hijos de Cam' (the first number of our second set) before I had to join in the backing vocals.
I think this was our best performance by far despite Carolyn's regrettable absence; for many of the reasons outlined in an earlier post, and more besides. Onstage, the communication by eye-contact was superb, allowing us more flexibility and fluidity in the interchange of parts. There was much more show and energy: sweat was flying off Dan and Wib in torrents as they took the percussion to town; unleashed from behind the congas, I could exercise more stagecraft; and Nathan, this being his second gig, sang with greater confidence and aplomp. The monitoring that Catie, Jan and Mike got was well balanced allowing them to play with verve.
Maybe it was the bright sunshine.
All too soon it was over. That final half hour just flew by. Then it was time to pack down and enjoy the remainder of the afternoon.
And enjoy it we did. There's nothing quite like a great gig to set up the rest of your day.
Loo Yen Yeo
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